Mood Music

“I am, by calling, a dealer in words,” said Rudyard Kipling, “and words are, of course, the most powerful drug used by mankind.” But I am, by vocation, also a mathematician, and there’s a strange yet beautiful intersection of words and math known as music.

I am not, however, skilled in music in any other manner than its consumption. I cannot carry a tune in a tote bag or keep the beat with any sense of rhythm (but I can rhyme, and alliterate, and parse the sounds of vocabulary into something musical, if still not music).

And yet, in all my years of listening–which is, perhaps, all my years in general–I’ve discovered that even at times when I cannot hear myself, I can find myself in music.

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Settings and Senses

It’s Flash Fiction Friday #2 and already I’ve run into a wall of writer’s block. Sure, I’ve written a few new pieces since last week, but none of them quite feel ready for posting, and after a couple rainy days, I just don’t have the inspiration on my own to move forward.

What’s a writer to do? Google.

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More Hook Lines or Sinkers

You liked it. I loved it. And here I’m giving it to you again.

This time around, I’ll be highlighting the beginnings of three more of my stories, providing commentary about why they were good, and why they weren’t as good as they could have been. I won’t go too much into the types of beginnings there are or the processes used to get there–you can read back a few posts in my “Writing” category for all that–so this time around, it’s all pro-tip facts and critical fiction.

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Hook Lines or Sinkers

Transitions are tough. Just look at me–I’m moving from one college to another, I’m living out of the house for the first time ever, and I’m actually (yes, it’s true!) starting to drive on actual roads. It’s a lot to handle. A lot to sort through and make sense of. In this melting pot of emotions, I somehow have to sort through all of these new feelings and figure out what they are–am I excited? Nervous? Some mix of the two? It’s not always easy to tell. Am I busy because I genuinely need to be, or am I just distracting myself?

Those questions plague a lot of us during times of transition, but do you ask those questions when you edit your story’s beginning? “But it’s the beginning,” you cry, “not a transition!” And that’s where you’re mistaken–the beginning is a transition: It’s the point where the reader transitions into a new world.

If you think moving on campus is a transition, how would you feel about moving into another world altogether?

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